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Despite hopes for a $30 million opening, Snakes on a Plane nabbed $15 million its first weekend and then plummeted to sixth place in week 2, eventually ending its theatrical run with a Perfectly Okay $62 million.
Snake on the train full movie movie#
The culture was fully strapped in, on the plane, with the snakes.Īnd then the movie bombed. An aggressively early-2000s music video was released for the song "Snakes On a Plane (Bring It)" by Cobra Starship, Travie McCoy of Gym Class Heroes, and William Beckett of The Academy Is, which is like The Avengers of people who would lose to My Chemical Romance at the 2006 MTV Music Video Awards. The movie was getting airtime on everything from The Daily Show to MSNBC. The "#1 Fan King Cobra Sweepstakes" appeared on the film's official website, encouraging users to post the link across as many forums as possible. New Line kind of had no choice the movie they had in the can wasn't the movie that had taken over the collective mind of the internet. It was arguably the bluntest, most expensive example of "fan service" in film history. In March 2006, it was reported-in an article bearing the headline " Fan frenzy for 'Snakes' is on a different plane"-the movie had returned for five days of reshoots, bumping it up to an R-rating with more blood, sex, and profanity specifically to satisfy the feedback the internet was gleefully providing. The story of Snakes on a Plane then became the story of a movie trying desperately to catch up to its own exposure. The title was an endearingly easy joke and an easier punchline "Snakes on a Plane" was shorthand before shorthand became the dominant form of online communication. As the internet became the place to share an opinion, Snakes on a Plane re-defined "hype." It rose to prominence alongside meme culture until the film itself became more meme than movie, not because of quality but because of sheer shareability. It was one of the first pre-Twitter films to catch fire primarily because of online word-of-mouth across the blogosphere. ("No homo," he'd tell you, for no discernable reason.) This is largely because Snakes on a Plane wriggled its way, serpent-like, into the very foundation of that year's evolving culture. Were the film Snakes on a Plane to gain sentience and become a real human man he would be wearing a white belt and listening to Akon's "Smack That" on a bright-blue iPod Nano. For example: Snakes on a Plane, the creature-feature about snakes that are on a plane, is impossible to separate from the concept of "2006." Snakes on a Plane is 2006, 2006 is Snakes on a Plane. It becomes more of an artifact, unearthed by later generations for a taste of exactly what it was to live in that period what people did, what they wore, what they watched, what they cared about. When reviewed by Variety magazine, it was described "neither undiscriminating action fans nor connoisseurs of high camp will find much bite in this latest direct-to-video product from The Asylum.It's always fascinating when a film acts as a sensory snapshot of a specific moment in time. The film has received mostly negative reviews. In response, Rimawi had his crew in Los Angeles add the aforementioned scene to the film to make the Japanese audiences happy. While looking for international distributors at Cannes, a group of Japanese investors saw the film's poster and asked if there really was a giant snake eating a train (which was originally not part of the film). However, one girl is shown to have been unknowingly bitten, suggesting that the curse will remain.Īccording to co-producer David Rimawi, The Asylum initially had no intention of making the film, but they proceeded when an earlier film project fell through. Six passengers manage to escape unharmed, and one of them performs a magic ritual which causes her to vanish. While on the train, bandits attack her, allowing the snakes to escape, endangering the other passengers.Įventually, and inexplicably, she herself transforms into a gigantic snake and swallows the moving train whole. She takes the snakes along with her in small jars.
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In order to recover the "lost pieces" of herself (the snakes), she must travel to Los Angeles where a powerful Mayan shaman can lift the curse. In the film, a woman has been put under a Mayan curse which causes snake eggs to hatch inside her belly and eat their way out. Although taking the same basic idea from Snakes on a Plane (many deadly snakes loose on a claustrophobic, high-speed means of transport), the background story of how the snakes end up on the train differs.